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by Luke Rollins · Posted
What is it about the 2000s look that is so compelling right now? One could chalk it up to the eternal recurrence of 20-year nostalgia cycles, of which the retro digicam revival would be yet another instance. But this kind of historicism elides the character of what is missed, and why its retrieval is attempted in the first place.
Smartphone bad; we know this. Rejecting the smartphone, however, does not immediately lead one to retro digicams. One could just as easily move toward the nostalgia of film as toward the competent excellence of today
by Luke Rollins · Posted
At first glance, studio photography and the compact camera may seem strange bedfellows. The type of work associated with the studio—still life, product photography, portraiture, macro photography—usually wants cameras with larger sensors and interchangeable lenses, especially in professional applications. Compact, point-and-shoot cameras, for their part, have their natural home in everyday, travel, nightlife, and street applications, where their discretion and size become virtues.
It might seem almost cruel to introduce the compact to the